P roposé worldwide release in late November by Fox, David Fincher film comes to us in writing, well in advance. Before you can read our full review, we wanted to send you our (literally) to stir the discovery of this already legendary soundtrack, and you have, thereby, the technical content of this edition Blu-Ray out of the ordinary . In 2000 came out the DVD zone 1, which offered a soundtrack in Dolby Digital 5.1, but already in his time, was regarded as a gold standard. Proposed a German edition, a few years later, a DTS track, but the results differed little from the North American edition. To date, the film has never been presented with the full measure of his show canal. This interminable wait is finally coming to an end, since Fox presents the film as never before: DTS-HD Master Audio 5.1, 24 Bit (Ed.: TMS, could you check?).
Going straight to the point: this is one of the most intense experience of multi-channel sound ever heard, if not the best on all fronts. All codes are in the green, and we can not give him that of 10/10 well deserved on all our grading criteria. The considerable energy has gone brilliantly, combining technical performance (the film was mixed in 1999) and artistic know-how, in almost any other. The presence of an uncompressed audio track on this Blu-Ray edition embellished even more e result, opening up possibilities previously unreleased acoustic memorable and literally, able, on many occasions, damage the reproductive material. Highlight the stealth plane crash scene in flight: it is STRONGLY advised to reduce dramatically the volume on pain of blowing all of his pregnant in less than two seconds. Faced with such a dynamic attack, there is absolutely no doubt that many speakers will leave their skin. The result shows staggering violence and acoustic shows, no doubt, the best job of scene dynamic range ever heard to date. The rest of the film is in unison with a frequency response insane, and exploitation of the landscape 5.1 permanent occlusive never, ever open and refined, each encrusted with life sonically. The scene is full of details and rear extensions, completely filling the listening room with a myriad of subtle attacks and more frank with each other. The subwoofer channel, anthology, will the skin of many boxes as he deploys sound waves that border on irreverence home. The sharp sound of the soundtrack is as a fabric prints realistic and expressionistic as it has rarely been able to experiment. Perfect in all points, the dialogues show frank and massive, like the front of the stage, alert and expansive, following the pace of images with an efficiency out of proportion.
Superlatives are indeed used to describe this soundtrack is an extreme and absolute sommum is becoming the benchmark references. The difference between the DTS 5.1 track half-speed version of the French and the DTS-encoded HD Master Audio is also enormous, from the opening credits. At no time did the French versuon even approach that of the ankle lossless soundtrack. To evoke the image, she is silver, true, fine detail. Remastered on the occasion of a film's release, it offers a new freshness and restores to better the world black, dark and sticky that bathes the film.
Without question, THE Blu-Ray to own, if only for the film, and for this short supplement devoted to Ren Klyce genial sound designer, who works alongside Fincher since 1983. His stories are bright, and his definition of the role of the mixer and sound designer is telling: "we paint a soundscape just as a chief operator realizes with his images." Presented in HD, this short supplement gives voice to one of the most brilliant figures of sound in film, and it illustrates that since the early 90s. Necessary, simply.
We also confirm the non-demotion track DTS-HD Master Audio High Resolution at fixed rate, an old habit of the publisher. Here, it is indeed digital sound lossless Master Audio 5.1.
We are filled with intense joy at the thought of the movie to Fincher, since this is one of the Blu-Ray editions integrate completely in its video library.
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