D ernière directed by Robert Zemeckis, this Christmas tale adapted from Dickens, was entirely in motion capture. The filmmaker, prowled this type and the technique of shooting, has also amplified its staging through the use of latest developments in 3D. Having seen the film in a movie in digital 3D, the result, both artistically and technically, we were sitting there, and we have even more widely convinced that it even went on Avatar ...
On the occasion of CES in Las Vegas, and the announcement of the first outputs of cakes blue with the logo Blu-Ray 3D, Walt Disney Pictures took the opportunity to proudly announce the availability of Zemeckis film for the last quarter of 2010 ( next Christmas?). On this occasion, the film will, without doubt null, DTS-HD Master Audio 5.1. Mixing and sound design, as in habiutude filmmaker, were given to Randy Thom. His work on this title stands out few of his previous sound works, which we are accustomed: a scene using the back of increasingly secondary, but still creative and bass wild. A beautiful hand is given to the music that accompanies finely, spatially speaking, the adventures of the character.
The depth of field and now essential "3D effect" often reaches paroxysms (generic, snowflakes ...) and brings a subtlety in the rendering that leaves on the floor.
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