
Lane M andy is so beautiful, so pure, so innocent ... all the boys covet. To impress a group of friends prompted a ranch to celebrate the end of classes. The appointment: sex, drugs, alcohol ... and a surprise guest, who is trying to get hold of the most coveted trophies: Mandy Lane.
IMAGE
VIDEO CODEC: AVC
1080p
FORMAT: 2.35:1
Wild Side
Overall, this edition restores all loads its visual director, down to details that could leave some viewers confused: the presence of abundant grain, from the original emulsion films, the use of certain filters diminish the rendering etc etc. ... As a whole, the film benefits from a pressing 1080p respectful at all points of the original intentions of the filmmaker. The definition and level of detail, however, are less marked than usual, but it is clear that the film has to be a nightmare in terms of encoding. But this is so the film's style, highly sought after, desired by Jonathan Levine: slow expressive almost surreal, marked contrasts, saturation violent primary colors, film processing ... A stylistic and formal permanent images almost "mentistes" , a sort of visual laboratory turn arch-realist, and also arch-saturated and starched. The encoding performs feats, relying on the master with the greatest precision possible, with, in particular, management of the brightness very refined (scenes set in outside day). An image generally difficult to assess, but a flawless real editor, who did not seek to push the record to one or other dimension in order to artificially improve.

ITS
DTS-HD Master Audio 5.1: English & French
16 Bit, 48 Khz.
OFFSET: n / a
Any self-respecting slasher must ordinarily possess one put forward thrust of the acoustic dimension. Mandy Lane there is no exception, even if his humble origins restrict true formal release. But never mind. The resulting sound is up to the task, and can even provide a seamless musicality of the songs on the record "pop" used throughout the film, which responded with an additional dressing style and a fortitude quite pleasing. The final, to the sound of Sealed with a kiss, played by Bobby Vinton, left in the lurch with regard to its quality Hi-Fi The rest of the known dynamic férocementagressive to show, and it will be the same for all channels when the stresses of terror gender-specific: gunshots, stabbings or beatings with violence are being transcribed acoustically so full, vigorous and dryly (recording quality sounds). Behind the scene, certainly tangible, is sometimes over used with taste and rigor, but also lacks its full potential during stage more ambitious sequences, where usage appears reserved moderation too far .... The LFE channel was able to easily bombarding him with violent blows to the thrilling, anchoring the story in a sound basis deaf and vicious, insidious but very timely. If the sound expresses general dry, it does not lack dynamism and realism, the sound editing, less dramatic than expected, but never lacking in ingenuity, manages to highlight a beautiful creativity, reserved primarily for (many) musical passages and sequences of terror. The DTS-HD codec Maser Audio 5.1 (presented in 16 Bit) shows respect for the intentions sound and acoustic design of the whole. At home on any terrain, it fills the room with conviction, and can thicken the sound made by opting for the non-compression. Whether it's raging sound or smell of atmospheres fine but firmly textured track DTS-HD Master Audio audio on the full mix of original, where so many editions of the same kind of films, most prestigious, during the heyday of DVD media, missed their target heart sound due to the choice of codec Dolby Digital 5.1 which, beyond a spatialization revised downwards, also pruned within the sounds involved, which invariably , lost considerably in texture be more realistic and frank tone. On this edition Blu-Ray, it is not the case, and the notion of sound show takes its full meaning, while preserving its strengths.
INTERACTIVITY
- Interview with Amber Heard (14 minutes)
- Video interview with director Jonathan Levine (28 minutes)
- Trailers (4/3, SD, Dolby Digital 2.0)
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