LE CHOC DES TITANS: Chronique Blu-Ray

CLASH OF TITANS: Chronicle Blu-Ray

SYNOPSIS

T he ultimate struggle for power pits men against kings and kings against gods. But the war between the gods themselves could destroy the world. Born of a god but raised as a man, Perseus can save his family from Hades, vengeful god of the underworld. N 'having nothing to lose, Perseus volunteers to lead a dangerous mission and a fatal blow Hades before it s not seize power and unleash hell on earth.

le choc des titans test blu-ray

PRESS KIT

Clash of the Titans is the second film in which Liam Neeson and Ralph Fiennes play together after Schindler's List (1993) Steven Spielberg. This is also the second time that Ralph Fiennes co-starred with Danny Huston and Pete Postlethwaite after The Constant Gardener (2005).

Mouloud Achour, a columnist in Le Grand Journal de Canal +, plays the character of Kucek in the film by Louis Leterrier. This is his first role in film (before he had made a few appearances in Sheitan, Asterix at the Olympic Games or Cyprian). Mouloud Achour was already making an appearance in The Incredible Hulk, the previous film by Louis Leterrier, but the animator missed the day of filming.

On Sunday, April 4, 2010, an earthquake measuring 7.2 struck southern California at 15:40 (local time). For some viewers of Clash of the Titans, the event coincided with the intervention of the Kraken in the film, which earned them a brief experience in cinema 4D.

This film is a remake of the 1981 classic directed by Desmond Davis. We found in the credits Laurence Olivier (Zeus) and Ursula Andress (Aphrodite), and especially the special effects legend Ray Harryhausen. The video for the song Worry about Ray's group 'The Hoosiers' also made him homage, through images of famous Kraken.

Clash of the Titans was filmed in the UK, in Spain's Canary Islands, Ethiopia and Iceland. The scenes of volcanoes have been made in Wales, in a place that had been used for filming of Willowet Street Fighter.

Breton heart and home, wandering in fact, tried by medicine,

passion by journalist, traveler and observer of curiosity, Nicolas

Hulot likes to recall that he "was not born environmentalist, but he is

become. " His journey, fraught with discoveries, experiences and

meetings that led to an across the globe, has gradually

forged his fight for ecology and more generally for a

more humanistic approach in the world.

After a few months in medical school, he held several small

jobs and discovered photography. Göksin Sipahioglu, creator of the agency

SIPA Press trusts him; Nicolas Hulot made his photojournalism

first job. He travels the world and for 5 years and has witnessed

of significant national and international events, particularly in Africa

Southern or South Africa with the events leading up to the end

of apartheid. The picture leads naturally to an interest in the press

written and spoken, and he had the opportunity to go to France Inter. From 1978 to

1987 he was a journalist and producer of several shows. It innovates

in methods of reporting, making himself an actor of adventures that

Live is live with its auditors. Thus he notes some challenges

as the descent of the Zambezi to paddle or sits at the North Pole

geographically with the first single-engine aircraft. In 1987, chance of

life leads to the broadcasting, at TF1. A simple experiment which

should last a few months, and that turns into a real

slice of life. For 22 years, Nicolas Hulot was successively

producer and presenter of programs "Ushuaia, the magazine

Far "(1987-1995)," Opération Okavango "(1996-1997) and finally

"Ushuaia Nature" (since 1998).

CODEC VIDEO: VC-1
1080p
FORMAT: 2.35:1
Warner (France), availability: 18 August 2010 (Area B)

le choc des titans test blu-ray

Overall, this edition HD delivers a shimmering visual rendering (colorimetry sumptuous and spicy CinemaScope frames accented ...), offering images generally dense and often pitted, if not highly detailed. A slight grain silver dresses all, providing a range of textures very pleasant, while a slight noise sometimes entangles some digital backgrounds "sensitive", highlighting, unintentionally, some very special visual effects means. Encoding shows itself in all points solid, with great apparent fluidity and compressive fluctuations without harmful. The depth of field, associated with a degree of definition pushed, offer a very successful record, far from smoothing or compromise, except licked less of certain plans. Excellent black level also helped by the striking contrasts that allow an optimal switching sequences at the most favorable (Lair of the Medusa, hall of the palace ...). Overall, this edition provides some very nice visual sensations, and can enjoy images of slender filmmaker with superb fidelity. Without constituting the best surprise of the moment, all is none the less solid and proven, and these vast expanses of sand or volcanic soils, framed in dives, totally outweigh the membership with relish.

A note: the film is here proposed version called 2D, while the film has been exploited in 3D in some theaters, following his conversion to this format. His shooting was done in traditional 2D. Since the film was released on video, Philips holds an exclusive offer: the film is offered in a 3D Blu-Ray version taken from the copy room, when you purchase a pack home theater brand. Germany (then in Zone B as France), the film was edited on Blu-Ray in a 3D version.

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DTS-HD Master Audio 5.1: English. French, etc. ... talian are offered in Dolby Digital 5.1 (640 Kbps)
24 Bit, 48 KHz, 3155 Kbps
OFFSET: no

Clash of the Titans almost permanently deployed a soundstage 5.1 that, if she is somewhat less efficient than perforating and other securities Reviewed in summer 2010, they borrowed their acoustic paths winding their virtues and striking sound . The track DTS-HD Master Audio in 5.1 multichannel proposed, proved devilishly powerful and supported, full of depth and (relatively) strong epic sound situations. Describe the many battles and a wide perimeter acoustic populous cries, shouts, groans and blasts that, taking the same, provide depth and breath warrior to a set of remarkable ... qualifiable often but not always. In particular, the fight final against the famous Kraken, is a high point where peak sound all the virtues of this mix wildly aggressive when need arises. The set primarily reacts with flexibility and power, prompting push up the decibels to savor the best this tidal wave of clashes and other extortions, while maintaining very pleasant intelligibility offered by the codec DTS-HD Master Audio 5.1, here clearly to his advantage, and far, far away soundtracks deployed by the publisher over the previous year, on DVD or Blu-Ray. The music is suffused with tact and held, while add up the many sounds of weapons, but emphasize that extra touch or significant expansion of this definition that are the strength of other pressings / mixes. The frequency response, as a whole, never fails to work, offering a "Sound playback" of high quality throughout the audible spectrum, but are open with sufficient ardor to the top of the spectrum of Hence the loss of some sensitive steering precision sizing and in the spatial delimitation of the sound field.

choc des titans

In animated sequences, or other events of the Gods, a frank spatial mobility embeds sounds, moving to the four cardinal corners of the facility with ease and precision evident, even if the use of rear stage shows somewhat neglected or sometimes reluctant to sound the most aggressive assaults. Variety and diversity (the cries of various dazzling creatures, Medusa head, the voice and body movements really multichannel) to enliven the mixing and sound editing typed certainly flashy, but with sufficient rigor and breadth of sound convincing in terms of sizing of the soundstage. Nevertheless, the proposed mix quickly generates some ear fatigue, the sound balance is only rarely achieved, and all deploying more decibels than real subtleties of editing or mixing. Special mention to the iconic fighting (the Medusa, the Kraken, the Scorpions, the manifestations of Poseidon) which, beyond offering a picture editor and agitated "Panoramico-circular" shock broadcast sound in every corner of the auditorium, always firm and clean, especially through the channel reinforcement serious, deep and impressive, but without generating any real bang. A report finally, the relatively modest sound of some battle, and the strong feeling of attending a more acoustic wave of violence as an authentic construction staging and sound design plans. Codec DTS-HD Master Audio releases the force strong mixing, making himself evocative and boisterous. Clever fellow traveler, it energizes the full potential of movie sound, by giving him a generous bit stream that allows him to explore his master with sensitivity and panache, and properly fill every corner of the soundstage, without suffering loss of compressive or concessions acoustic show as was too often the case with the editor of years since tan on DVD. If réégal ization / adaptation of the soundtrack there was, it remains almost invisible and breathable dynamic audio content infused during the mixing process, without constricting it.

Relevant mode of "advanced interactivity Warner Bros." (Maximum Movie Mode), less buoyant than other titles of publisher (Sherlock Holmes), but very welcome. Everything is presented in DTS-HD Master Audio 5.1, mixing the sound with that of the film making-of segments.
Focus Points: short segments on the production of visual effects, accessible independently or included in the advanced mode of interaction mentioned above.
Sam Worthington: a timeless hero
Alternate ending (ridiculous and not finalized)
Deleted scenes
Warner BD-Live (somewhat incomplete, but growing from month to month in this editor)