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SYNOPSIS

A lan Grant, a dinosaur is always looking for funds to continue his research. That's when a man asked him to fund his research if he agrees to do a flight over the island with Paul Kirby and his wife. Only the plane does not fly as it is landing. It was a pleasure flight is actually a rescue mission to retrieve the couple's son Kirby, fell on the island eight weeks ago.


Breton heart and home, wandering in fact, tried by medicine,
passion by journalist, traveler and observer of curiosity, Nicolas
Hulot likes to recall that he "was not born environmentalist, but he is
become. " His journey, fraught with discoveries, experiences and
meetings that led to an across the globe, has gradually
forged his fight for ecology and more generally for a
more humanistic approach in the world.
After a few months in medical school, he held several small
jobs and discovered photography. Göksin Sipahioglu, creator of the agency
SIPA Press trusts him; Nicolas Hulot made his photojournalism
first job. He travels the world and for 5 years and has witnessed
of significant national and international events, particularly in Africa
Southern or South Africa with the events leading up to the end
of apartheid. The picture leads naturally to an interest in the press
written and spoken, and he had the opportunity to go to France Inter. From 1978 to
1987 he was a journalist and producer of several shows. It innovates
in methods of reporting, making himself an actor of adventures that
Live is live with its auditors. Thus he notes some challenges
as the descent of the Zambezi to paddle or sits at the North Pole
geographically with the first single-engine aircraft. In 1987, chance of
life leads to the broadcasting, at TF1. A simple experiment which
should last a few months, and that turns into a real
slice of life. For 22 years, Nicolas Hulot was successively
producer and presenter of programs "Ushuaia, the magazine
Far "(1987-1995)," Opération Okavango "(1996-1997) and finally
"Ushuaia Nature" (since 1998).

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blue-dot CODEC VIDEO: VC-1 SMPTE
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1080p
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FORMAT: 1.85:1
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Universal (France) Availability: October 25, 2011

This third album, yet the newest, fails to fully convince all the way. The quilted "soft" the second album is here again used, but it is an artistic will, a kind of visual signature. However stung more than the 1997 film, this third album still offers plans with tasty colors, and the definition opulent, sometimes advanced. We will not withdraw its intrinsic qualities to this transfer, which lets in light of the undergrowth with a certain unique beauty, certainly, but one can blame him, just like the two previous games, visual qualities somewhat below potential real of the film. The reason is the same as before: no remastering or restoration worthy of the name has been made .... However, contrasts and light derive real potential of this master HD which offers a stable, defined and bright, with the exception of the very first seconds, close to a laserdisc, and as is the case on three films in the saga of this case. The sequences of the roughest and darkest show on the screen reproduction quality unique, but still far from totally convincing. The original film grain has been preserved, prove use of the filter DNR moderate and efficient.

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blue-dot DTS-HD Master Audio 5.1: English. French, etc. ... talian are available in DTS 5.1 (754.75 Kbps)
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24 Bit, 48 kHz Audio Bitrate (average)
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OFFSET: no

No need to dwell on the virtues and acoustic sound of this third installment. Nothing more than what everyone already knows since the era of the DVD format: Jurassic Park III, unlike his two predecessors, has a soundtrack, soft and close to the bland, almost completely inexpressive and simply issue a bare minimum, far away, if not light years, experiments anthology of two previous films, such as Blu-Ray edition breed with a unique clarity. Here, and in short, the feeling of volume and three-dimensionality seems reduced to a (meager) rations. The very first play sequences map close to the television minimalism, while the sequences rough, certainly more advanced display detailed sound too temperate and application of the six channels (plus one) himself too honed and hollow compared fireworks in the first two volumes. Worse séquenc of the plane crash that opens the adventurous part of the film, provides the soundtrack (in the background) so muffled and compressed, just as it did on the DVD presentation. Album only three to have been mixed natively on seven channels (6.1), it will also be the least convincing on this ground there. It's simple: the center rear channel, here doubled to close to zero decibels show most of the time, and at best will qualify the rendering of the scene back, itself ultimately very little used.

The comparison with the first film, dating from 1993, and was first used, in theaters, the DTS codec, proved abysmal. The first film is a scene back dripping with detail, rich colors, capable of dynamic differences majestic, as is that of the second component. All manner of breathing and multi dimensional, and in all circumstances, be seen from the whole to new heights. On this third album, nothing really seems to agree, and his team of the film, yet it also virtuoso, nothing like that of the first two titles, on which Gary Rydstrom and Gary Summers had performed wonders beyond measure. This soundtrack, served here in uncompressed digital audio, bored and tired, to force default on its obligations. The frequency response remains fairly neutral, a bit too much perhaps, and the sub-bass is certainly exploited, but far too rarely. The channel balance favors the front soundstage, with an opening and an extended sound far too tenuous to convince ... the absolute opposite of the two previous films. A final result close to the insipid in our view, both made with that proposed here differs from other films, and reduces the full scope ....

interactivite

This edition offers on each title, a documentary (or more) unpublished, for a maximum of 25 minutes. Produced by the brilliant Laurent Bouzereau, module series allows players to experience the film years later, and power, these days, having the perspective of the director and technical team members. Short, but excellent. This third album offers only one of these modules, with, at end of program, a tribute to Michael Crichton and Stan Winston.

NEW BLU-RAY BONUS, presented in HD 1080p

  • "Return to Jurassic Park" (six-part documentary including interviews of the cast of the three films and directors)
  • The dawn of a new era
  • Pre-history
  • The next stage of evolution
  • In Search of the Lost World
  • Something has survived
  • The third adventure (Jurassic Park III), 15 minutes)

The following supplements are spread across three discs. Presented in SD, they are simply from the previous DVD editions ...:

  • The Making of Jurassic Park
  • The Making of The Lost World: Jurassic Park
  • The Making of Jurassic Park III
  • Steven Spielberg directs Jurassic Park
  • The pre-production meetings
  • The World of Jurassic Park
  • The Magic of ILM (Industrial Light & Magic)
  • The sightings
  • Phil Tippett animatics: Dinosaurs in the kitchen
  • The Jurassic Park Phenomenon: Discussion with Michael Crichton
  • Industrial Light & Magic and Jurassic Park: Before and after the special effects
  • Industrial Light & Magic and The Lost World: Jurassic Park before and after
  • Visit ILM (Industrial Light & Magic)
  • Hurricane in Kauai
  • Montana: In search of new dinosaurs
  • Animatics: Attack T-Rex
  • Special effects in Jurassic Park III
  • The sound of Jurassic Park III
  • The Art of Jurassic Park III
  • Visit Stan Winston Studios
  • Audio commentary by the special effects team
  • Archives of Production: Storyboards, Models, Photographs, sketches
  • Deleted scenes
  • Trailer

evaluation

Note pictureImage rating
Note DTSNote DTS
Note MixNote Mix
Note dynamicNote dynamic
Notes back stageNotes back stage
Note dimensionNote dimension
Note interactivityNote interactivity
Overall RatingOverall Rating
Note of interest blu-rayNote of interest blu-ray




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News preview test 1 Posted by Stéphane Roger | October 30, 2011 Cornwall News preview a test

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