www.DTS-phile.com was designed birth in April 2000 by Cornwall (Roger Stéphane). In its infancy, there was a mailing list which identified already in his time, over 300 members who traded permaments advice, opinions and rants by email. The exchanges were numerous, relevant, and authentic community was then created. A pasion in common: the sound nuémrique DTS, who had just made its appearance on DVD, and was disappearing from analogue Laserdisc.
The idea of grouping a number of key events was evident in March 2000. An early version of the site, hosted on Mulimania, was then born. Rudimentary HTML, GIF animations that would be ashamed to display it on his cell phone these days and many problems (pop-up ads, pop up ...) were the daily life of a complete neophyte webmaster.
A second version, still on a black background, was proposed during 2001. In early 2002, adding a forum (version "a" of phpBB) was installed, then it was the turn of the version "2".
Patrice Michellon (Cazéo) has joined the editorial end of 2002, offering the graphics and template site that came to version 2.0. Very functional and cleverly Designated Place, she has revived the site and has accelerated its development. Summer 2005: arrival of Pierre Dubarry to the editor. The site now has many business partners and works with the entire (or almost) French video publishers.
DTS-Phile is hosted on a server located at high speed in the United States. We turn on the same backbone as Yahoo.com, among others.
October 2009: Version 2.0 has lived. It makes way for the 3.0 version of the site, powered by a powerful CMS. William Gomez, the company web-spirit has enabled the development and publishing. William works daily, and we witness the continuous improvement of the site. His help is more than precious.
Today, in 2009, we have many partners, commercial publishers, and the world turned to the High-Definition support with the advent of HD-DVD and then EFIN, Blu-Ray, where the format DTS is represented as ever, with about 90% of its tracks encoded in this format on the outputs of the various publishers around the world. We could not ask for more.
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